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The Girl on the Train (Original title)
Dates: 2016 (Copyright), 2016 (Release)

Countries: USA, India

Director: Tate Taylor

Synopsis: An alcoholic woman makes up stories about people she knows while on her daily train commute. Fantasy erupts into fact when she sees something odd from the train window and her neighbour goes missing.

Genre:
Thriller

Subjects:
Homicide, Alcoholism, Voyeurism
Releases
Date: 05 October 2016Country: United KingdomRelease type: TheatricalFormat: Digital Cinema Package (DCP) - Colour - Sound - Dolby DigitalAspect ratio: 1.85:1Runtime: 111 mins 40 secs - Dialogue (original): EnglishDistributor: E1 Films
Date: 07 October 2016Country: USARelease type: TheatricalFormat: Digital Cinema Package (DCP) - Colour - Sound - Dolby DigitalAspect ratio: 1.85:1Runtime: 112 mins Dialogue (original): EnglishDistributor: Universal Pictures
Date: November 2016Country: United KingdomRelease type: InternetFormat: not specified - Colour - SoundRuntime: 112 mins Dialogue (original): EnglishDistributor: BFIPlayer

Credits (60)
©: LLC Storyteller Distribution Co., A Marc Platt production: Marc Platt, Filmed with the Support of: The New York State Governor's Office for Motion Picture & Television Development, present: DreamWorks Pictures, Reliance Entertainment, Executive Producer: Celia Costas, Produced by: Marc Platt, Produced by: Jared Leboff, Executive in Charge of Physical Production: Shelly Strong, Production Executive: Michelle Brattson, Unit Production Manager: Deborah Dyer, Production Controller: Maria DeVane, Production Accountant: Nadine Wilson, Location Manager: Joe C. Guest, Location Manager: Mara Alcaly, Post-production Supervisor: Alexis Wiscomb, 2nd Unit Director: Patrick Capone, 1st Assistant Director: Cleta E. Ellington, 2nd Assistant Director: Derek Wimble, Script Supervisor: Mary Bailey, Casting by: Kerry Barden, Paul Schnee, Screenplay by: Erin Cressida Wilson, Based on the novel by: Paula Hawkins, Director of Photography: Charlotte Bruus Christensen, 2nd Unit Director of Photography: Patrick Capone, A Camera Operator: Mitch Dubin, B Camera Operator / Steadicam Operator: Maceo Bishop, Still Photographer: Barry Wetcher, Visual Effects Supervisor: Mitchell Ferm, Visual Effects by: Phosphene, Visual Effects by: Mavericks VFX, Ampersand Company, Special Effects Co-ordinator: Jeffrey S. Brink, Edited by: Michael McCusker, Andrew Buckland, Production Designer: Kevin Thompson, Art Director: Deb Jensen, Set Decorator: Susan Bode Tyson, Graphic Designer: Eddie Ioffreda, Costume Designer: Michelle Matland, Costume Designer: Ann Roth, Costume Supervisor: David Davenport, Head of Department – Make-Up: Bernadette Mazur, Head of Department – Hair: Alan D'Angerio, Main and End Title Design by: yU+co, End Crawl by: Scarlet Letters, Supervising Digital Colorist: Mike Hatzer, Music by: Danny Elfman, Synthesizer: Danny Elfman, Additional Synthesizer: Michael Tuller, Orchestra Conducted by: Pete Anthony, Music Supervisor: Jonathan Karp, Production Sound Mixer: Danny Michael, Sound Re-recording Mixer: Scott Millan, Gregg Rudloff, Supervising Sound Editor: Paul Urmson, Stunt Co-ordinator: Victor Paguia, Digital Intermediate Services provided by: Technicolor PostWorks
Cast (20)
Emily Blunt (Rachel Watson), Rebecca Ferguson (Anna Watson), Haley Bennett (Megan), Justin Theroux (Tom Watson), Luke Evans (Scott Hipwell), Allison Janey (Detective Riley), Édgar Ramírez (Dr Kamal Abdic), Lisa Kudrow (Martha), Laura Prepon (Cathy), Darren Goldstein (man in the suit), Cleta E. Ellington (oyster bar woman), Lana Young (doctor), Rachel Christopher (woman with child), Fernando Medina (pool player), Gregory Morley (Officer Pete), Mac Tavares (Detective Gaskill), John Norris (Jason), Nathan Shapiro (meeting member), Tamiel Paynes (Central Park drummer boy), Peter Mayer-Klepchick (Mac)
Books held in BFI Reuben Library (2)
Title: Postfeminist whiteness: problematising melancholic burden in contemporary Hollywood
Author: Marston, Kendra  Pages: ix, 221 pages

Title: nasty woman and the neo femme fatale in contemporary cinema
Author: Piotrowska, Agnieszka  Pages: xiv, 121 pages